“Innocent Until Proven Guilty” mixed media shadow-box 18″ x 12″ x 6.”  Created for the invitational exhibition “Gun Control” at 555 Nonprofit Gallery and Studios in Detroit, MI.

Here’s a photo of the final piece before the glass and frame went on.  I’ll show you some of the steps along the way.

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An early sketch, this is before I’d decided on the line-up.  I also redrew the character in the ski mask.

GCsketchWeb
After adding color to the characters, cutting them out, and inking all of their edges, I added some paper armature to the backs to keep them rigid.  This also gave me more material to tie into for the paper ‘posts’ attaching them to the background.

GCribWebI pulled out an old trick for the numbers.  I wanted them clean and well spaced, and done by hand.  The matte board was too thick for a light box, so I printed out the numbers and made a carbon-transfer with pencil; shading in the reverse of the print and drawing the contours on to the board.

GCnumbersWebI attached the floor and the background first so I could place the characters without the walls and ceiling in the way.

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Here’s a digital version, I’ve made prints available here.

GCprintThanks for checking out my work, if you happen to be near Detroit this month, stop by the show at  555!

It’s tricky to explain what happens when 60,000 beautiful freaks converge in the Black Rock Desert, and it’s a different ride for every last one of them.  After my seventh year, I suppose I should say “us.” So instead of trying to sum it all up, here are just a few of my own experiences this year.

Houston’s CORE project ReinCOWnation rising out of the dust.

For the last two years I’ve volunteered with the Art Department; taking artists to the site where they can finally install the work that has been waiting, sometimes for years, to meet the dust. Along the way I chat them up about their work, their hometown, their first Burning Man, and often much more. Eating dust in a golf cart through the heat of the day is fun when playing a small role in the art that populates that magical place, while picking up the stories behind the work.

La Llorona shipwrecked off of Pier 2.

Another highlight of this year was Black Rock Spatial Delivery’s Virgin Letters Project; which was great fun and gave us an excuse to surprise fellow participants with often beautiful theater. They laughed, they cried, they looked embarrassed and wondered how we could tell this might just be their first time.

Also, the camp was kind enough to allow me to graphically represent them yet again this year – the above being a mash up of BRSD’s traditional “biking man” and this year’s theme of fertility.

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