A lot of intense design work went into the making of Sunset Overdrive for Xbox, making it that much more satisfying to recreate these digital weapons in the real world. Not only did Figure Plant have to match the look of the game, each piece had to be functional! With names like TNTeddy, Hack N Slay, Pyro Geyser, and the Roman Candle Gun you can imagine the kind of fun challenges we were up against. Here’s a few shots from the studio.
When you regularly convert vehicles and build custom mechanical objects, you end up with an assortment of interesting spare parts, making Figure Plant the perfect place to put these weapons together!
This was a great project even before there was fire and hilarious destruction, which is to say that the shoot was awesomely entertaining. You can see the completed weapons and blow shit up with them in Walter’s Workshop! Here’s a behind the scenes video from our partner’s in crime over at Kamp Grizzly:
Here’s a look at the game:
Logitech UE is getting an awesome new promotional vehicle, hand-built in Portland Oregon.
That’s Figure Plant’s Project Manager Schuyler Silva giving the walk-through. There’s video from a few other steps along the way on Schuyler’s youtube channel.
Here’s an enlargement for George Rivera at Additive Workshop. The artist’s maquette was scanned and digital artists touched up the resulting digital file, and carved in foam on by a flat-bed CAD and a seven-axis robotic arm. Sculptors assembled the foam blocks and hand carved the surface before brushing on a layer of oil clay. Every square inch of the clay surface was gone over by hand; adding texture and sharpening details. The piece was then molded, and cast in bronze.
5 3/4 inches square, 1 3/4 inches deep
acrylic on wood box frame
My time as a printer at VGKids probably came into play on this piece. I built up the green mother-board background pattern through layers of ink and acrylic washes before stenciling the labyrinth of reflective silver figures. I knew the result would depend on several interlocking process, and documented the different stages of development. Loosely based on the pages of the kama sutra, these robots find a variety of ways to express their physical affections.
10 inch square, 1.75″ deep
acrylic, ink, and spray paint on reclaimed hand-made wood box frame with a protective gloss varnish.
The box-framed surface and underpainting had probably sat in the studio for about a year before finding it’s way back to the easel; as the annual “robot-love” exhibit at good: a gallery was around the corner. I began skething robots as blocky iconic couples, as a skyline, as lovers, composing different positions in illustrator and organizing them into the square.
When I got to a composition I liked, I printed out two copies the size of the physical surface. One print was cut for the silver of the robot bodies and registered to the painting.
Using a light coat of contact adhesive on the back of the stencil, I laid down silver spraypaint.
On the second print I drew out the line work in a way that made the robots positions readable, trapped the silver border, and kept the stencil intact.
Starting with a primed panel I penciled a grid interrupted with arcs. I brushed in ink as the hierarchy of line and curve developed. An ink wash established values before washes of color layered over the top. Keeping the color thin and the contrast high gave the piece the look of glowing stained glass.
acrylic and ink on panel, cradled box frame
37.5 x 48″